Tennessee Williams, an American play writer, quickly crafted a great play A Streetcar Named Desire that reflects the society of the 1950s as both a social and artistic work, all including references to elements of his life such as mental instability and. Williams' character, Blanche DuBois, was a weak woman who loves fantasy and dependence on man. According to the play, Blanche “launches” her continually denied love into the world, only to have that love revisited in the form of suffering(1). Today we find ourselves in a very different world than people who lived in the 1950s. It must also be admitted that opinions on the amphoteric relationship are obviously z. Sometimes we find some traditional women who really love to stay at home, give birth and take care of the whole family. They have an image of this condition in their mind, or were told about it when they were young, and have a kind of irrational, passionate love for it. Sometimes people approach it that way, and it kind of keeps that aura around it in our current culture and in the history of the play from this period that Williams wrote in A Streetcar Named Desire. Usually, people would like to reserve whatever curiosity they have about desire, but in a way Williams has turned the usual practice on its head; he spoke about human desire, particularly sexuality in his work. It holds a truly special place in the imagination of our culture. The point is that Williams is trying to imagine an autonomous work of art that has deep thought, that is in some sense violence or personification, and this sexual desire to make the tragic something living, introduces into the world of the tragic the problem of death. Tennessee William explores the conflict between desire and death. Here... in the center of the card... the common position of most post-war women. So, in that relationship, the root of the tragedy, women have a narrow and limited vision, they don't believe in themselves. Works Cited1. Williams, Tennessee. “A Streetcar Named Desire,” a New Directions book, copyright 1947.2. KLEB, William. “Marginalia: Tram, Williams and Foucault”. in Philip C. KOLIN (ed.), Confronting Tennessee Williams's A Streetcar Named Desire, Westport, CT: Greenwood, 1993, 27-43.3. Kernodle, George R. “The Theater of Exaltation: Modern Tragedy and Poetic Drama.” Kernodle, George R. Invitation to the Theater. New York: Harcourt, Brace & World, Inc., 1967. 217-223.4. Tragi-comic transit authority. Tennessee Williams: a tribute. Ed. Jac Tharpe. Jackson: UP of Mississippi, 1977. 116-125.5. Berkmann, Leonard. “The Tragic Fall of Blanche DuBois.” Modern drama 10.2., 1967. 249-257.