Topic > Critical analysis of the film "The Shawshank Redemption"

IndexNarrativeCinematographyStagingSoundEnvironmentThe most depressing apartment everZihuatanejoEditingReferencesNarrativeThe narrative point of view applied to the film concerns Andy but Red is the one who tells the information about his friend. The public sides with him and against those who try to harm him. We see what he sees, in the way he initiates and dominates screen time and in the camera angles, sometimes from his point of view. However, the main reason we sympathize with him is the narration from Red's point of view. If Red didn't tell us we liked Andy, we wouldn't do it. We say no to plagiarism. Get a tailor-made essay on "Why Violent Video Games Shouldn't Be Banned"? Get an original essay The Shawshank Redemption is a dramatized narrative because someone tells us Red's story. Also, Andy might be the main protagonist, but the person telling his story is Red and he's the one who uses the word "I." This also serves to distance us slightly from Andy, which is in keeping with his character so it's a first personal narrative. The film used a narrow narrative because Red cannot see everything that happened to Andy, this limits our view of the events. There are some things Red can't see, like when Andy runs away, and these create a sense of mystery for the audience, which they in turn try to solve. Cinematography This film is classical in style and combines elements of formalism and realism. It also combines components of the drama, dreamer (escapism) and romance genres. It also contains symbolism made evident through the employment of numerous techniques and components, however film photography has a particularly important role to play in this film. the complete film shows the idiomatic film created in 1994. Combining the important and formalized designs offers the United States of America the simpler of both worlds. throughout this film, the use of long shots (realism), close-ups, and slow zooms (formalism) towards the characters create the story intimate enough to have an effect on the audience. One of the more deceptive uses of formalism within the film takes place again when the "sisters" attack Andy for the first time. Also, the scenes are well framed by having a decent angle, especially when the actors have the ability to pull it off. Those low angles for much of the film offer a powerful impression and high angles that are generally bird's eye views to convey his helplessness to those captive actors. This film jointly combines mediums and lighting designs of many genres. These span dramatic narratives, films about dreams or escapism and, strangely enough, love stories. Film photography detail is quite robust, particularly in close-ups and so image depth is the best I've seen on home video. , even if it is a little soft at times. colors are richly saturated and black levels are achromatic and deep with wonderful shadow delineation. Staging Tim Robbins was challenged to portray a falsely imprisoned man. Not a simple man, but a successful man, not accustomed to a criminal lifestyle and not at all ready for prison life. He played the role of Andy Dufresne. The film was an adaptation of a Stephen King story and Robbins was left to “play” the role of Andy. For example, observe Andy during his transport to the prison; when he gets off the bus and then walks towards the building. He definitely captured the essence of an innocent man way beyond his element. Robbins shows the wonder, fear, and alienation that Andy likely felt that day. Robbins would havecould only achieve this by offering us his interpretation of how an innocent man would enter prison. Morgan Freeman, on the other hand, has played many different types of roles. In this film, for some inmates he is somewhat of a father figure, but... above all, he becomes a dear friend of Andy. He also provides narration throughout the film. Freeman's voice is easily identifiable, so much so that we often hear it in commercials. While this might make some believe that he would fall into the "character" category, that couldn't be further from the truth. Freeman is in a league of his own when it comes to acting skills, and he demonstrated it very well in this film. Freeman (as “Red”) convinces the viewer that he doesn't care about being paroled; but he cares. Even though she walks with pursed lips, her eyes tell a story of hope. His desire to talk to his “younger” self also tells this story. And then it magically comes out. Once again, his eyes tell the story; He is truly amazed at what freedom means. Yet, years later, he will play a cult leader of a post-apocalyptic world in the film Oblivion, and he will do it convincingly. His acting ability allows him to venture from drama to science fiction to comedy (Bruce Almighty). Bob Gunton is a true character actor. In The Shawshank Redemption he plays the prison warden. A recurring role that he plays well. However, Gunton, while clearly recognizable, never achieved the "star" status like Robbins and Freeman. Gunton has spent time on both the small and big screens. The list of television programs in which he has participated seems to be greater than the number of films in which he has acted. There is no doubt that he is an excellent actor, but from his filmography (including television) it would seem that he is very much looking for specific roles: dominant male type roles. My actor focus, Morgan Freeman, doesn't have to worry about being "typecast" or only being placed in films that cater to specific roles he would dictate. Take for example his role in the film Red, where he becomes an aging action hero, or in the aforementioned film Oblivion, where he plays Beech, the leader of a rebel group that faces the protagonist, Tom Cruise. Freeman was able to adapt his acting to any genre and in each of them he excelled where only very few actors managed to excel. Sound The movie "The Shawshank Redemption" uses different methods of sound effects and music that can influence the audience through all the scenes. From the beginning of the film there is a type of sound that is a non-diegetic rise. It helps the film be more interesting to the viewers. It's obvious that this is an old movie because of the type of tone used. When there is a dark scene, the noise acts as a counterpoint to the visible darkness and underlines a mysterious confirmation of the scene. For this reason, when the sound or melody stops, it creates a great impact for the audience and creates an eerie system. At the crime scene, there is a gun that announces a target within the next shot. It often coincides with the stopping of the rising sound and, using the mysterious tones area unit, has been replaced. The sound bridge is used to present a good and interesting transition between two scenes, where there is a communication from the next scene. In the whole film, sound has a special contribution to the film because it makes a transition from different types of melody which are asynchronous to synchronous. When you get to the first court scene and the murder is mentioned, this immediately and the scene is about. This method is often used in the movie because of the different scenario that shows a crimeinnocent. In this way, a combination of chilling tones of non-diegetic recordings was also used, which highlights when the protagonist speaks and confirms his journey in the film. These two scenes appear and show the gun sound effect. The film produces a good sound effect which can make the audience express themselves according to the different scenery of the film. The music is obviously old compared to today but it's a beautiful song. It makes the film more alive. Also, this movie doesn't use many songs but focuses on sound effects. Setting About 95% of the film takes place within the walls of Shawshank, so we'll probably need to talk about that a bit. Bearing in mind that a director's job is commonly to make the audience empathize with a film's protagonist, what better way to do this than to create a helpless feeling of claustrophobia and desperation? Trapping us in Shawshank with Andy and Red for two hours is really enough to solve the problem. From the moment Andy's bus passes through the gate, we are unable to leave. The audience must face with him every attack by an inmate, every single stint in The Hole, every offering of a canteen full of worms. When Andy eventually manages to escape, the spectators begin to cheer inside. Not just because he's our hero and we were rooting for him to get out, but because we feel bad in this place. We'd almost climb through that mud sewer with him if we could see a scene shot in a great location. In fact, Andy has an incredibly cute set, as life goes in Shawshank. He starts working in the library, eventually helping the guards with taxes, doing what he loves and is precise at. He even locks a guard in a toilet when he decides to rebel and play that record, and somehow lives to tell the tale. There is talk of being a "guardian's pet". The Most Depressing Apartment Ever Apparently, when someone is let out of Shawshank, the big boys in cost want to reintroduce the ex-convicts into civilization by hooking them up with the most miserable boarding house of all time. There is nothing inherently miserable about this. It's spacious, well-lit and feels quite comfortable. However, Brooks is so upset that he hangs himself there, and Red is almost driven to do the same. That room is where they come home every night, though, and where they have time to think things through with certainty. It is the place where loneliness is felt the most. It probably wouldn't upset Red's frown to see "Brooks was here" carved into the wooden beam. Zihuatanejo In this case, Zihuatanejo turns out to be a real place, but it virtually shouldn't be. What matters is more the idea of ​​an idyllic seaside town. Zihuatanejo basically represents two things: hope and freedom. It's the carrot dangling right in front of Andy's nose, spurring him on every time he starts to wonder if he'll ever make it to the end of that tunnel. Furthermore, since most of us will never have to dig our way out of a prison cell, it's the concept of having a strong, definitive goal and working hard to figure it out that resonates with the film's editing skill. the editor of the whole movie is quite interesting and powerful because every scene has a special tribute to the movie. In the first five minutes of the film, the audience is shown an attention-grabbing gun that provides clues that apply the Shawshank Redemption theme. The skill of the camera in a scene like the extreme ones turns into connection with the story. Emphasize those different expressions and emotions of the actors according to the scenario that can influence the viewers. It's a kind of image called cutaways. This is also carried out in the process and proceeds