In section 7 of Out of the Blue, Armitage builds the tragic tension, this section describes the panic experienced by the workers in the Tower after the plane struck and commemorates the experience of those in the Towers, making the reader contemplate its legacy. Graphically the section appears solid, but in the prose the devastating impact of the plane on the building is depicted. The end of this section creates a break as English Trades is trapped with now no chance of escape, creating the tone of desperation that explains Trades' actions with the last section, as he faces inevitable death. Say no to plagiarism. Get a tailor-made essay on "Why Violent Video Games Shouldn't Be Banned"? Get an original essay The structure of this section is a continuous stanza, composed of many imperative sentences. Armitage, like Shakespeare before him, uses prose to illustrate the helplessness of realist characters. The shape can be interpreted to represent the Towers before the plane's collision, with each phrase possibly mirroring the individual planes in miniature. Because the verse is uninterrupted, there is a sense of solidity comparable to the image of the global success of capitalism symbolized by the Twin Towers. The character's experience is written in the first person, allowing the English trader's experience to reflect the wider experience of the victims. The continuous use of short sentences within a prose poem, such as “Call home. Absolutely not” creates a frenetic pace, which when read aloud seems disjointed. This reflects the sudden nature of the attack, which elevates the mood from the unsettling feeling of Section 6, to the panic and desperation that comes with the realization of entrapment. It can be interpreted that mirroring is used to foreshadow the second attack. In Section 9 the word "mirror" is used to describe the attack on the North Tower and the structure of Section 7 is an inverted reflection, similar to what might be produced by a mirror, linking the result of the first attack with the second one attack. At the end of Section 7 there is a further repetition of two sentences: “sit down for now. Go up. Go down” – creating the feeling that the person's options are narrowing, emphasizing panic as the person is unable to think rationally. By reiterating the same choice, he suggests that he is not willing to give in. The phrase “Get in. Go down” is an oxymoron, which accentuates the sense of disorder as the conflicts within the lexicon almost cancel each other out. The final point after "Go Up" is not evident in other repetitions, which adds to the character's sense of frustration. This creates a peak in the poem that contrasts with the pensive tone of sections 8 and 13. The reflection creates an image of the section folding back on itself; just as the tower did, which creates a sense of universal upheaval. The international scale of the disorder is present through Armitage's use of international pronouns and place names, such as "Abdoul" in Section 6, as well as the image of "Brighton" in Section 4 which develops the image of terrorist attack as a global scale attack. capitalism and not simply an attack on America. In section 7 the voice shifts from passive hope to frustrated desolation. The voice's use of dark humor portrays abandoned hope; the horrified line “With what? With what… with a magic carpet?” illustrates his frustration. “Magic carpet” humor portrays the hope of escape as a fantasy. The use of an image from a children's film creates a brutal contrast between fairy tales and reality. Repetition of the alliterative "w" produces a whispered tone that conveys a sense ofmelancholy, this is emphasized by the breakdown of the midline which creates the feeling that the person has struggled to complete the thought by admitting his defeat. Armitage also uses chiasmus by creating an interline reflection as if he were confusionist taking over the person. This conveys the change in the person compared to the optimism of Section 6, where he states that a colleague will also “get married in a month”. The fact that he says “is” instead of “was” portrays his now fruitless belief that they will live, which progresses to the realization that their fates are sealed. Another key theme of this section is division, for which Armitage uses linguistic choices. carry. The phrase “use a skirt, use a shirt,” creates an internal rhyme between “skirt” and “shirt,” connecting the two items of clothing that symbolize the office environment and genders. Skirts are symbols of femininity as opposed to the masculine shirt, the removal of these elements creates a sense of frantic loss of their office personas. The bond between the two sexes creates equality, demonstrating that in tragedy and death divisions are not important. This is in contrast to the inequality created in Section 4, as the male person talks about “my wife” who is at home; create a sense of patriarchy. Section 7 advances the poem from the inequality of labor to the equality of death, allowing the reader to connect with the events. The theme of divisions is reinforced by Armitage's personification of a telephone which claims to be "dead". The word “dead” creates the sense of loss, which describes the power of the phone and the connection it provides to the outside world. It can also be interpreted as a foreshadowing of the many lives that would be lost due to the attack and the resulting war, as Armitage writes with the benefit of hindsight. Armitage uses end stops to create separation, ending this section with a “Drop.” the literary slant reflects how individuals were separated from those on the ground due to the physical and emotional separation created by the tragedy. Which reflects the final division created by death. This sense of loss for those who survived is epitomized in Section 13, set 5 years after the attack. This loss created a significant divide both through time and between death and life. One of the implicit themes in Out of the Blue is amoral capitalism and its influences on society, in section 7 this theme is highly criticized. The oxymoron used in this section “Move. Don’t move” to reflect the panicked internal conflict of the speaker and those around him, whereby the authority of criticism as contradictory instructions are useless. Since the authority fails to find a solution to the problem, this can be interpreted as a sign of its failures, since despite its attempts to provide for everyone, capitalism fails many citizens, just as instructions fail to save lives . This critique of capitalism opposes the pedestal on which the person stands capitalism, in Section 3 triumphs when “selling sand to the desert” the alliteration of the “s” emphasizes the pride he feels in the corruption of capitalism. The vision of capitalism's progress" in Section 7 as it shows how capitalism has led to chaos, which is crucial to the conclusion of Section 13 where there is a disturbing reflection of the physical and emotional isolation caused by the growth of greed .Continue mind: This is just an example. Get a custom paper now from our expert writers Get a custom essay In conclusion, section 7 is a highlight of the poem as the form, language and.