IndexIntroductionFilm titleDirector of the filmProducer of the filmRelease of the filmGenre of the filmCharactersSetting of the filmConflictCamera techniqueAnalysis and evaluationGirl in the red coatBlack and white backgroundBackground musicConclusionReferencesIntroductionThe film "Schindler's List" begins in September 1939 in the Village of Krakow, Poland, occupied by German troops during World War II. In the case of Jews, they register their family number and more than 10,000 Jews every day. They arrive in Krakow from the province. Oscar Schindler, an opportunist who pursues his own success in step with the times. He bought a shipbuilding factory run by a Polish Jew. He becomes a member of the Nazi party, takes over factories and pays bribes to German troops. But Schindler is a cold-blooded opportunist and does not pay a cent for his hard work. He uses the Jews to befriend Stern, a Jewish accountant. He begins to feel his conscience about the cold holocaust. It's a Nazi murder and Schindler faces reality with his own eyes. He eventually goes to the camp and saves the Jews. Say no to plagiarism. Get a tailor-made essay on "Why Violent Video Games Shouldn't Be Banned"? Get an Original Essay Film Title The title of "Schindler's List" comes from the original novel by Thomas Kennelly, first published in 1982. It was actually just titled US Schindler's List. In Europe it was Schindler's ark. The title was already in place when Spielberg got there. More importantly, the list itself is the purest summary of what Schindler did to save the Jews in his factory. It becomes a powerful symbol of Jewish survival in the face of intensive, industrialized efforts to wipe them out. The title includes two of the most important parts of the story: the horror of the Holocaust itself and how the Nazis found it to keep alive what they had worked so hard to destroy. Director of the film The director of "Schindler's List" is Steven Spielberg who is a Jewish director and producer in the United States. He is the director who made most of the big box office hits such as “Jaws”, “ET”, “Jurassic Park” and Schindler's List, which were highly praised for their success and quality at the box office. He is one of the few directors called the boss or godfather of Hollywood. Producer of the film The producers of this film are Gerald R. Molen and Branko Lustig. Gerald Robert Molen is an American film producer who has worked closely with Steven Spielberg, having produced Schindler's List and won an Academy Award for co-producing it. Branko Lustig is a Croatian film producer best known for winning the Oscar for Best Film for Schindler's List. Movie Release This movie "Schindler's List" was released on November 30, 1993. The duration of this movie is three hours and seventeen minutes .Movie GenreThe genre of “Schindler's List” is a historical drama. It offers a lightly fictionalized account of events that actually happened to illuminate our understanding or simply to remind us that they really happened. There are some complex characters that help narrow down the events and help the story unfold, but otherwise Schindler's List shows just the events and people that transpired. Characters Oscar Schindler, the main character of "Schindler's List", played by Liam Neeson, is a German entrepreneur and opportunist belonging to the Nazi party, who lived in Poland during the Second World War. Schindler seems to be more interested in profit than morality. At first he doesn't care about the Jews when they are ignored and faced with danger. But as compassion for the Jews grows, he sees the workers as human beingsrewarding and begins to learn how the Nazis treat them. He slowly transforms from a cold and greedy man to a giver. His compassion saves approximately 1,100 Jews in German concentration camps by sacrificing all his property to keep them all safe by bribing Nazi Party members at a high level.risk.Itzhak Stern, Schindler's Jewish accountant and conscience, and another protagonist of "The Sindler List", starring Ben Kingsley. Stern is a self-respecting intellectual in the face of the violent and inhumane conditions Jews faced under the Nazi regime. He begins working with Cinderella when the Jews are moved to the ghetto. It can influence the good and moral aspects of Schindler. Stern was the first to realize that Schindler's factory could be used as a safe haven for Jews. His patriarchal attitude towards his fellow Jews in the Ghetto leads him to exploit his position to save those who would otherwise be exterminated. He composed documents for Jews and employed them in a factory. Stern is a man who appeals to Schindler's moral side and by the end of the film the two were in love with each other. Amon Goes, a Nazi officer in charge of building the pleasure labor camp, another protagonist of "Schindler's List", played by Ralph Fiennes. Goes is a cruel, cold and sadistic man deeply rooted in Nazi philosophy. He represents pure evil of the Nazi Party. Goes shows real hatred for Jews and sometimes shoots them recklessly on a high balcony above a labor camp. He likes Schindler because he is as greedy as he is and can only focus on himself Schindler his factory and his workers. He and Schindler share many common traits, such as greed and cold selfishness, but Goes is completely devoted to evil and hatred. He expresses affection and disgust for the Jewish maid all the disgust for the Nazi party. At the end of the film he is executed for war crimes. Setting of the film The setting of the film took place in the Holocaust, Poland. The largest number of Jewish victims were from the Holocaust in Poland. Before the war, approximately 3.3 million Jews lived in Poland. Three million of them were killed in prison camps, half of them in all of Europe. There were six extermination camps and other concentration camps in occupied Poland. Poland was chosen precisely because it had the largest number of Jews. Ninety percent of Poland's Jewish population perished in the Holocaust, the largest number in terms of numbers and proportions. Schindler's List was filmed in the city of Krakow, Poland, in nearby territories and especially outside the Jewish ghetto and Krakow, established when the Nazis conquered Poland. Spielberg shot the film here because it happened here. One of the locations filmed outside Poland was the Jewish cemetery where the real Schindler is buried, namely the Catholic cemetery on Mount Zion in Jerusalem. ConflictThere are two external conflicts and one internal conflict in “Schindler's List.” One of the external conflicts concerns Oskar Schindler and Amon Goeth. At the beginning of the film, Schindler and Goeth are only good friends because of economic opportunities. Schindler thought that if they remained friends, he would earn more money through his factory. As the film progresses, Schindler discovers how badly Goeth actually treats his Jews. Schindler then prioritized saving as many Jews as possible from Goeth, becoming the starting point of the conflict between the two. Much would have changed if Schindler had not found the courage to go to Goeth. Many more people would have died in terrible ways and there would not have been as many stories describing what happened in the camp. Aanother external conflict concerns the Jews and society. Even before the film began, there was a conflict between the Jews and society. The Jews were rejected because they were different from what they believed. Through this film, Jews are abused by almost every member of society, regardless of the Nazi Party. They were tortured, killed and brutally murdered. If this had not been for the conflict, the Second World War would not have happened. If society hadn't had something against the Jews, it wouldn't have been able to see the mass murders, the stories, the films. Finally, the internal conflict concerns Oskar Schindler and his conscience. Throughout the film, Schindler must deal with the constant conflict between himself and his conscience. His common sense is that he should stop because he is risking his life saving the Jews. However, his conscience tells him to continue saving these people. Because it will not only help him, but it will also help his happiness. This once again affects the intrigue because it shows a struggle between good and evil. If Schindler had not decided that someone else's happiness was better than his own, hundreds of thousands of people would not have been saved by him. Filming Technique The filming techniques used in "Schindler's List" are track-in shots, side tracking shots, dramatic over the shoulder shots, claustrophobic over the shoulder shots, 2-shot shots and mirror entry shots. Track-in-shot is a type of photography technology, with medium-sized close-ups progressing to tighter close-ups that physically move this type of camera over subjects. The motion background becomes blurry and is generally used neatly to draw attention to the history of the letters at important moments. Side tracking is one of the classic techniques in cinematography, but Steven Spielberg always adds enormous value to cameras and makes his tracking photos completely different from everyone else's. Its deflected shot is very long and can be traced back to two characters who are generally walking and talking. Spielberg adds significant visual acuity to photography by placing all kinds of objects and extras between the camera and two main subjects to enhance the richness of the frame and the visual perception of movement. Dramatic over-the-shoulder shots are very common, but the one Steven Spielberg shot is truly something else. He typically uses wide lenses to shoot characters behind the main character, making the main character in the foreground appear much larger than the other characters and conveying a dominant feel. Even claustrophobic shots from behind are a photographic technique. These are scenes that take up a significant portion of the screen from over the shoulder and place the main theme on the side of the frame. Spielberg used this technique to emphasize the moment with a particular meaning and never used it more than once in the film. The track-in-2-shot is another cinematic technique in which the camera focuses on two medium-sized characters and moves very slowly, ending with two close-ups. This technique is generally used to address scenes in which characters discuss particularly important topics. Mirror input shooting is the latest camera technology. In the technique, the camera frames a character reflected in the mirror in a wide shot, followed by the character entering the frame and closing it. This is a very effective way to transition to close-ups of the same character. Analysis and Evaluation Girl in the Red Coat The first scene in which color appears is the scene ofa girl wearing red coat. The reason he put red in the scene is said to be to symbolize the rebuke of senior US officials who knew the Holocaust was happening but left it unattended. The Holocaust was that no one took any action, even though it seemed natural for a girl to wear a red coat. Another reason why this scene is important is because Schindler changes when he sees a girl. Schindler, who initially only knew about money, was shocked and changed when he saw the Holocaust. The girl reappears, when she also appears. While the bodies of Krakow are burning, Schindler finds the girl's red coat and no longer just looks at it in silence. He wins back his Jewish workers by meeting Goeth, carefully building rapport, and talking business. They later bought and persuaded Nazi Germany to build subcamps to protect the Jews. n this film, the girl in the red jacket represents the innocence of the massacred Jews. He sees it from the top of a hill and is enchanted by it, almost excluding the surrounding violence. The moment Schindler glimpses marks the moment he is forced to confront the horror of Jewish life during the Holocaust and his own hand in that horror. The little girl also has greater social significance. His red coat recalls the “red flag” that Jews waved against the Allied powers during World War II as a cry for help. The little girl walks through the violence of the evacuation as if she couldn't see it, ignoring the carnage around her. Its oblivion reflects the inaction of the Allied powers in helping save the Jews. Schindler later sees her in a pile of exhumed corpses, and her death symbolizes the death of innocence. Black and White Background One of the things we need to look at is the black and white background in Schindler's List. We can barely find any color except for a few scenes and the beginning of the film. The beginning of this film is not a black and white film. It begins to turn black and white as the candle is raised in the scene of the Jews praying. This is probably one of the elements behind the film, the Holocaust of World War II, to make it more devastating and realistic. Halfway through the film, blood on the body of a girl dressed in red and her body was shown in color, not black and white, and the bloody body seemed to symbolize the preciousness and hope of life, revealing the horrors of life. sometimes symbolized by desperation, frustration and the hope of losing extreme conditions. In films set in modern times, the director's choice to use black and white can seem banal and artistic. But in Schindler's List, the black and white expressions effectively evoke the World War II era and deepen the impact of the story. Black and white also gives the director the opportunity to use free colors to highlight signal changes in key scenes and moments. For example, the opening scene in color, one of the few color scenes in the film, transitions into the next scene in black and white. The change brought viewers headlong into 1939, symbolically bringing them closer to the events and characters of the story. This artistic and psychological practice of taking audiences back in time is partly because black-and-white images and movie scenes from the 1930s and 1940s capture the way many people view World War II. Although modern viewers tend to be familiar with color images and think that such images are more realistic than black and white ones. The black and white Schindler's List offers an alternative but less realistic version of life. The film showsvarious styles, such as noir, associated with the great detective novel of the 1940s. The style connects the film to that era and deepens viewers' immersion in the historical context. The artistic advantage of black and white is that it increases the violence of films and highlights the duality of good and evil. Film noir-style lighting and contrast reinforce the brutality of each violent scene. For example, when a one-armed man was shot in the head in the snowy streets of Krakow, his seemingly black blood spread through the pure white snow, and the stark color contrast emphasizes the division between life and death, between good and evil. . In some terrifying scenes, such as the evacuation of the Krakow ghetto, the lights remain dim, conveying a sense of panic and confusion. The white faces of the dead on the streets contrast sharply with the dark background. The same contrast characterizes a pile of burning bodies in the Plaszow labor camp; the white skull stands out among the ashes. The faces of the women in the Auschwitz shower scene look up in horror and bathe in white light. The contrast between light and dark is often also in dim light, showing Schindler's face, reflecting the selfish dark side. His face becomes more fully illuminated as he transforms from war profiteer to savior. Schindler's List may not have the same visual and emotional impact as what Spielberg achieved in the color film. Background Music The music in Schindler's List is powerful enough to emphasize most scenes in the film and makes the audience feel the same feelings that the Jews in this film feel. The original soundtrack of Schindler's List features a world-famous violinist known as Itzhak Perlman, who is one of the Jews saved by Schindler. So, Itzhak Perlman is playing on the original soundtrack of Schindler's List. Perlman was in the midst of a terrible massacre at the time, so he could experience extreme sadness and fear in his performance. Itzhak Perlman said the subject matter of Schindler's List is important to him and that those who know Jewish history contribute to the songs. He plays the song believing that it is not fiction but reality and irrevocable like in the film. The main theme of Schindler's List, which plays to its heart, asks numerous questions beyond simply not forgetting the Holocaust, where a story of shame and cruelty took place. A total of 14 songs, including the original scores and Itzhak Perlman's performance, add value to the emotion of Schindler's List. His interpretation doesn't make it seem like Schindler's pain is just a Jewish issue. Conclusion I think the movie “Shindler’s List” played a fantastic role in showing the reality and brutality of the Holocaust as a whole. It's the first Holocaust movie that makes me sit up and cry. If I can rate this movie, I would like to give five out of five because there are many interesting parts that highlight us. This film affected me in a way that I didn't expect and that I can't describe. Watching this film was an experience that I believe everyone should have, and one that I will certainly never forget. Many moments and aspects of this film left me speechless, and even now I don't know how to describe my impression of the plot. One of the parts that is highlighted in this film is that the build-up is done very slowly and very subtly, you don't realize what's happening until it's over and you're suddenly at the climax, and all the feelings that have been bottled up in the last few 3 hours poured in all at once. Oscar Schindler simply tells the audience that he needs people for his factory and, although it is obvious that it is not his main goal, the fact that he does not tell/