It is through the ignition of new ideas that readers are exposed to conflicting human emotions, which challenge our assumptions and beliefs about ourselves and the world at large through shared and individual human experiences. Anthony Doerr's 2014 novel “All the Light We Cannot See” relates to the ramifications associated with the abominable war-torn conditions that outline the shared human experience of protagonist Marie Laure and the loving relationship she shares with her father. Likewise, Thomas Keneally's 1982 novel, “Schindler's List,” also invites the interlocutor to bear witness to the challenging assumptions of concealing the truth of war, allowing readers to challenge notions of courage and courage. Say no to plagiarism. Get a tailor-made essay on "Why Violent Video Games Shouldn't Be Banned"? Get an original essay By setting the novel in both France and Germany and using a dual narrative, Anthony Doers evokes the shared experience of the loving relationship between Marie-Laure and her father. The metaphor of “It is as if the love for his daughter surpasses the limits of his body” allows the audience to challenge the ideology of love and its ability to prevail in times of crisis. Marie's father builds intricate city models as a means of creating new ideas through a 3D map to allow her to determine where he lives. The use of dramatic irony "I will never leave, not in a million years" provokes in readers an understanding of the tensions and brutality of war and how it can eradicate family relationships. In contrast, Schindler's List is set in the midst of World War II, where Keneally uses Schindler as the main protagonist who expresses the concept of love for the Jewish people that transcends any form of capitalist dream he has. The hyperbole “He who saves a life, saves the whole world” counteracts the effect on the reader that saving a life has such significance in society and its values. The author presents Schindler's characterization as an anomaly who is "deep" in his "practical commitment to saving lives," but has no idea how much his rescue efforts will cost him, effectively allowing readers to challenge the notion of love. and every connotation of hope. It is through the use of poignant language and non-linear structure that Doerr explores the notion of courage and courage within his novel All the Light We Cannot See. From the beginning, Doerr uses “in medias res” along with the rhetorical question, “What is blindness? Where there should be a wall, and his hands find nothing,” conveying Marie-Laure's perception of his blindness. The use of natural imagery in “We Rise in the Grass. In the flowers. In Songs.”, challenges the reader's previously held assumptions about the resilience and courage of the individual in times of horror and violence. In stark contrast to the Nazi death list is the recurring motif of Schindler's list that showcases the essence of life itself: “The list is an absolute good. The list is life. All around its edges lies the gulf,” symbolizing hope and affirming the rescuer's perspective on the nature of courage and boldness in times of turmoil. The concept of hope is ignited by acts of courage and courage as Keneally characterizes Schindler as a “lesser, two-faced god of liberation” who brings hope to his Jewish workers. The repetition of "I could have achieved more, I could have achieved more" signifies the importance of every soul to Oskar. Both authors invite us as an audience to reflect on the importance of courage and to ignite more.