I believe that family plays an important role in shaping the mind and characters involved in famous films because we as children are shaped by what we see our children do parents, mold and shape our behavior. In this essay I evaluate my opinion by exploring the main importance of family influence in the lives of the characters in the movie: The Godfather. Say no to plagiarism. Get a tailor-made essay on "Why Violent Video Games Shouldn't Be Banned"? Get an original essay The first film of the trilogy tells of a traditional American family, more precisely from New York, who, like many immigrant families, struggle to maintain the traditions of their country of origin (in this case, Italy). And like every American family nearing 50, it had its boss, the head of the family, its boss Vito Corleone (Marlon Brando), who is not only the head of the family but also the crime boss in the whole country. His main activity is to ensure the safety of his 'friends' by doing favors that are not at all ethical, not legal. During the wedding of his daughter Constanzia 'Connie' Corleone (Talia Shire), his house full of guests and important family members, Don Corleone divides his time between work and attention to parties, it is when his godson Johnny Fontane and the singer (Al Martino) asks for help to act in a film (starring) whose studio director, Jack Woltz (John Marley), does not at all agree with this participation. That's when The Godfather comes in, pulls some strings, and when he sees there's no deal to be made, puts his head's favorite Woltz horse to sleep next to its owner. And that's where all the problems arise, and the major conflicting North American crime families, and especially the Corleone family, are shaken up. The plot already begins by placing the Gangster in a cult position. The guy does everything wrong in the world, he kills people to gain everyone's affection and friendship, he is the king of hypocrisy and American moralism, but he is such a charismatic figure, that it makes the viewer hope that the evils of our dear Don Vito Corleone go away. Right! And how does this happen? It is enough to talk about the character of Marlon Brando to understand a little: a caricature of such a mysterious guy, full of secrets, failures, sins, mannerisms, wrong in almost everything he does, and his love for his family (for all his family), but mainly by his son Michael Corleone (Al Pacino), is the main reason that makes all his sins justified (as if we could justify someone's death to get what we want) by the viewer himself. And, of course, we have to talk about the details of the Don Corleone character, with his crooked mouth, nasal voice, posture, way of walking, hand on chin, worried look, nose always turned up, your pet cat , the firm sentences, the authority, everything turns out to be part of a complete package of the King of Crimes. Michael Corleone, in the role of Al Pacino's master, and is the favorite of the protagonist, is the key to any resolution of all problems in the long run. He begins by firmly and strongly following a style and a way of thinking (a boy full of good principles who had just won a government medal for his honor and participation in the 2nd war) which then, to protect his beloved father, changes completely. Getting into your head a world that swore it wasn't yours. This sudden change is also part of a big step (the master Francis Ford Coppola, director), which changes the protagonist of the first film: Marlon Brando is the protagonist, being so famous Don Vito Corleone, while Al Pacino was only (not so just so ) son of Vito and protected, a change of roles occurs during the course of the plot.When Michael Corleone finally becomes Don Corleone and the Godfather, Marlon Brando changes his role, becoming the protege of his beloved son, as well as the best, without in any way reducing the significance of their role. Perfectly integrated into the system, a year after his arrival in the United States, Vito Corleone tries to have an educated family, and their economic and moral empire constituted in part by the power he exercises over his collaborators and subordinates (the former, journalists, politicians, policemen; the latter, henchmen, family friends and favored friends), partly from one's own family system. It is then that, now supported in the field of techniques and experiences recognized by the powerful and their associates, now recognized as the living tradition of the family which is supported by the money collected by the Corleones and with a more traditional charismatic loyalty, as in Figure Vito Within the typology of domination, Corleone mixes rational domination (subordinates and associates) and traditional domination (children, grandchildren, spouses). It is not considered, therefore, that the Don enjoys a charismatic government because no one puts him in the position he occupies: no one boasts of his actions, not everyone likes what he does and furthermore not everyone is allowed to question the reason for the own actions. The obligation to remain in the family is traditionally an obedience, a rational action in relation to values ​​and sometimes to goals. Don Corleone's obsessive quest to keep all the children close is his signature behavior. Without warning, he tries to be the ever-present father to everyone. One can imagine an unconscious attempt not to leave anyone as defenseless as one felt in childhood. Interestingly, she also embodies the maternal fantasy that was missing in her affable, almost maternal tone. The character of Robert Duvall has always had my particular attention, because despite not having Italian blood, he was adopted by the family. He is the (adviser) and acts as a sort of mentor and bureaucratic business man. Trained as a lawyer, he knows the procedures of US jurisdiction and moves with discretion and completeness in politics and crime. He uses office lingo to do his dirty work and make it seem like he just went through some paperwork. His determined expression that mixes faint smile with intelligent cynicism makes him a key and discreet piece in elegant clothes, after all, the other guys are always having fun and enjoying the perks of mafia wealth. Tom does not get these benefits. He always acts seriously, at the epicenter of decisions, inducing the helm there or here, almost imperceptibly, hiding the evidence of murders, and negotiations are successful. Don Corleone knows the firstborn he has. Sonny is the bearer of impulsive, sexualized and reactive behavior, he is never put at the forefront of decisions. In one scene, a father negotiates with him indirectly, saying, "A man who dedicates himself to his family will never be a real man." Freda is Vito's middle child and often acts as if he is oblivious to the affairs. In the classic scene where Don Corleone is shot, Fredo is unable to take care of his father and can barely get a hold of the gun in time to react. His father knows the child's indolent and cowardly character. And for this reason he rarely leaves anything at his command. Despite being one of the possible natural heirs of an empire, he has neither prestige nor consistency to put things right. The term family is a very affectionate term when talking about crime, in other words it is a qualified gang. It fuels the prospect of war that divides the world into allies and enemies. For or against, there is no middle ground. This is the kind of show that is very common at home, which.