Creon asked that Eteocles, who continued to protect the city, be given full respect, while the figure of Polyneices, the intruder, be allowed to decay in this way, Creon announced that anyone who tries to cover Polyneices will be stoned to death. Say no to plagiarism. Get a tailor-made essay on "Why Violent Video Games Shouldn't Be Banned"? Get an original essayAntigone takes Isemen outside the entrances of the royal residence, towards evening, for a mysterious meeting while Antigone must cover Polyneices. Ismene refuses to defy the king's demands, so Antigone rushes to cover Polynices alone. It is brought to the king's attention that someone attempted to offer a custom burial to Polyneices and he demands that anyone found responsible be brought before him for discipline. After discovering that Antigone, his niece, has opposed his request, Creon is insulted. Antigone claims that her request is illegal on the part of the gods and because of this contention Creon demands that Antigone and her sister be sentenced to death. Haemon, Creon's child who was picked up Antigone asks his father to reconsider the discipline of their activities in this way, a dispute developed regarding the child's request and blames Haemon for unmanly failure to agree with a woman. Haemon becomes indignant, stating that he will never return. Creon revises his statement about these sisters and allows Ismene to live and Antigone to be secured in a tomb to starve. The blind prophet Tiresias warns Creon that God's antipathy does not cover Polyneices and that the lord will be rejected by death. of your son. In a short time Creon rethinks his past choice and allows Polynices' burial and also frees Antigone. Unfortunately, Creon's difference of heart goes far beyond the point of no return when Antigone hangs herself and Haemon slaughters himself out of anguish and anguish. After Eurydice hears the news of her son Haemon's execution, she also kills herself, revealing Creon. Creon recognizes the obligation of his foolish choices and asks God for a quick death so that he will never live with guilt and anguish again. The work ends with the warning that pride will be repelled by the blows of fate. Themes that allude to the plots of Antigone and Oedipus at Colonus both revolve around burials, and beliefs about internment are critical in Oedipus the King also because of the notable regard for their God. Polyneices is kept on the ground after his death, he is denied a tomb by the king himself, and his decaying body outrages divine beings, his relatives, and old conventions. Antigone is buried alive, to the horror of all who watch. Towards the end of Oedipus the King, Oedipus cannot remain in Thebes or be hidden in his domain, since his person is exceptionally dirty and hostile to the vision of divine beings and men. Gradually, his decision, in Oedipus at Colonus, to be covered in Colonus represents an extraordinary and mysterious blessing on all of Athens, promising the country triumph over future aggressors. In ancient Greece, backstabbers and people who kill their own relatives may not have been covered within the domain of their city, but their relatives still had the obligation to cover for them. As one of the essential and unavoidable obligations that people have towards kin, burials speak to the commitments that come from connection and also to the conflicts that can emerge between one's obligations to family and to the city-state. Relatively every character who kicks the bucket in the three Theban comedies does so by his own hand (or claims to do so, just as in the case of Oedipus at Colonus) and this shows.