Suzanne Collins captivates readers of all ages, races, and genders with her dystopian and slightly Orwellian novel, The Hunger Games. Some aspects of it are reminiscent of Lois Lowry's The Giver in that the society depicted is one in which humanity has progressed through everything that readers have actually experienced and have assumed that it is best to evolve beyond such structures to create a post-structural society in where the rules they deem best suited to humanity as a whole are transformed into law. Collins depicts a barbaric, postmodern rendition of ancient Greek gladiatorial games with several unique twists, and the result is a survival-of-the-fittest royale among mostly poor children as an entertainment spectacle for the rich. It goes without saying that the novel is often analyzed for its classism because it is easily observable as an untouched and oppressive institution in the text, but one of the most powerful underlying themes that complements this classism is the female experience, which Collins breaks down. it downplays its problematic facets and distributes its marginalization more equitably among the oppressed characters; as a result, oppression becomes analogous to the female experience. Say no to plagiarism. Get a tailor-made essay on "Why Violent Video Games Shouldn't Be Banned"? Get an original essay Torn from a sad life that, in itself, is already a game of survival with overwhelming odds, Katniss Everdeen is forced to participate in the Hunger Games out of the concrete necessity of providing for her family. The circumstance that endures it in the first place is one of notable helplessness for most people. He lives in an abandoned neighborhood, in ruins and poverty, where wealth is hardly said to exist, except for a solitary character named Haymitch. No one cares as much about money as food, the primary commodity for which money is used in District 12 due to the severity of the people's poverty. Perhaps the most pertinent aspect of their poverty from a feminist perspective is their inability to provide for themselves. “Even though trespassing is illegal,” Collins writes, “and poaching carries the most severe penalties, many more people would be at risk if they had guns. […] My bow is a rarity” (Collins 12). Citizens cannot hunt for food, but are forced to live in a city where food is scarce. The inability to provide for oneself is not actually a feminine trait but, rather, a characteristic attributed to women from the chauvinist perspective. Part of the female experience is the constant encounter with this notion that women are weak and weak-willed. A woman is constantly forced to go it alone, despite these and many other disadvantageous assumptions imposed on her, which makes every strong action taken by a woman to some extent an act of defiance. This is why the female experience seems to manifest as a much deeper and more nuanced deconstruction in the text because Collins separates the female experience from the woman and simply identifies it with oppression itself. Katniss lives with her mother and sister, and they survive without her father who certainly was the breadwinner in a very literal sense before the events of the novel. That said, the community Katniss lives in and society as a whole are not particularly patriarchal. There are instances where certain characters seem to view Katniss' actions in terms of gender roles, but overall, the story centers on women doing what some patriarchal societies would claim is too difficult, too strenuous, or too manly for a woman to do. , and no one seems to take notice. The work..