The American film Gone with the Wind (Victor Fleming, 1939) is a love story surrounding the American Civil War from the Confederate point of view. The film glosses over political issues while being directly affected by the results of the war. The appeal of this film is that people find a way to identify with their encounters. As for this film that brought people together, “A Short History of Film” by Mast and Kawin says, “It is to appreciate the importance of integration.” Viewers who watch Gone with the Wind will have multiple impacts from all perspectives and this is how the film became the most legendary film of the golden age of Hollywood. Say no to plagiarism. Get a tailor-made essay on "Why Violent Video Games Shouldn't Be Banned"? Get an Original Essay In 1939, America was trying to rebuild the economy and was in the process of rebuilding from the end of the Great Depression. Gone with the Wind originally had a different director, George Cukor, who was fired. This film was aimed at middle-class modernist white women who used films as a form of escapism. Gone with the Wind is a melodrama shot in Technicolor that used vibrant colors and intricate silhouettes. “Color is reserved for cartoons or shows that could afford the slowness and expense of shooting in color.” This film was expensive in terms of the use of color, the setting, and the number of actors hired. The shadows in Gone with the Wind also set certain color schemes, from dark scenes for romance to bright orange colors when there is danger such as fire. The film's soundtrack had a theme for each character's emotion, when there were scenes with conflict the music became louder and in intimate scenes the overlapping strings gave an emotional feel with dynamic contrast. The film centered on Scarlett's life, when she is told that her love interest Ashley Wilkes will marry a woman named Melanie and Scarlett spent much of the film trying to win back her love and the civil war begins. The South begins to literally burn to pieces, Scarlett and her slaves escape the devastation and return home. Mum breaks the news that Scarlett's mother has died, at which point Scarlett is left to look after the house alongside her father whose health is rapidly deteriorating. The slaves are now left without direction and repeatedly ask Scarlett questions. Scarlett becomes agitated and has no idea how to manage the house on her own. So, he starts treating some slaves badly the best way he knows how to deal with his authority. Once the authority was reunited, life began to grow again and the slaves returned to their usual life. They showed no interest in leaving and were willing to stay to help Scarlet. The first half of the film ends with the silhouette of the plantation lighting up and the lights fading on Scarlet's face as she vows that her land will never go hungry again. The colors started out dark and begin to fade into a light orange hue, as Hope is soon at the end of the tunnel for part one. Mammy, played by Hattie McDaniel, the first black woman to earn an Oscar for best supporting actress. The character of Mammy was described as wise with a strong head and knew how to stand her ground. She was also the leader of the house slaves and kept Scarlett in line whenever she overstepped her boundaries. The writer of the novel Gone with the Wind, Margaret Mitchell, states that “Mammy is a composite character with all the stereotypical qualities of Mammy, with every trait exaggerated until Mammy is reduced to a comic caricature. She's not just fat, she's severely.